Watercolors by Celia Blanco

   Morning  Stream 21cm x 29,5 cm watercolor on paper  My husband found a perfect spot for kayaking. Last week I accompanied him, I enjoyed bringing my paints along. I tried to capture the light streaming in from behind. I also wanted to focus on the rocks.  I worked on it some more at home but tried to get down as much information as I could while there. The light moves quicker than I can paint. Great for pushing me to keep my brushwork loose.   My work in progress, my subject and a little visitor wanted to come home with me. All in all a fun day!  Thanks for stopping by.

Plein air sketch of kayaker Sometimes I'm not sure whether or not to show certain works on my blog. They are not intended as definte works but as studies through which I try to progress and improve. I started this blog with this purpose in mind. plein air value sketch I did two plein air studies by the river this week. The first being a value study because I wanted to try and elimanate all the colors and see if I can work on getting a nice midtone in my paintings. The second sketch, has the same vantage point, with color. I wish I hadn't included the kayaker, I need to simplify when I'm out there. I feel there are a thousand things I should include: the beautiful light, the glistening colors on the water, the dreamy foliage...it all only leads to mental overload. Something to keep in mind. Another note, I have a nice tip that was passed on from reading  Julie Ford Oliver 's blog. I have word verification in my comments installed. I know how time consumi

"Pushed by the Wind" watecolor on paper 8" x 12"/ 20 x 30 cm I was back painting plein air at my favorite beach spot this weekend. I tried to narrow down the focus on the enormous clouds and the water. The kitesurfers were out trying to catch the waves, driven by the wind. It's a very daring sport. I threw the surfer in at the last moment while he stood still for a moment.There are a lot of varying colors in this landscape. It always makes me think back to my painting teacher's lessons. When painting landscapes,  avoid the sky is blue, grass is green approach. Painting what we think we know but not what is actually in front of us. I saw every part of the landscape was the color it was not "supposed" to be. The ocean, for instance, had an array of colors. In the distance there were turquoise and blues. As it came nearer it changed to purples and the browns-reflecting the sand below. The sky seemed yellow and violet, the sand green. I tried to fi